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Old 09-24-2008, 01:03 PM   #1
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Default MC Yearly Consensus - 1971

Submit your five favorite films from this year and in a week I will give you a top ten. IMDb dates will be used.

The point system is as follows

1st Place-5 points
2nd Place-4 points
3rd Place-3.5 points
4th Place-3 points
5th Place-2.5 points

There will be no restrictions on short films. A minimum of three films must be listed. You may edit your post freely up until the time that the voting is closed, which will be in about a week. I will give at least 24 hours warning before tallying votes.

You may begin now.

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Old 09-24-2008, 01:15 PM   #2
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1. Punishment Park
2. Straw Dogs
3. Bananas
4. Nicholas and Alexandra
5. Play Misty for Me
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Old 09-24-2008, 01:20 PM   #3
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1. Harold and Maude
2. McCabe and Mrs. Miller
3. A Clockwork Orange
4. Willy Wonka and the Chocolate Factory
5. THX 1138
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Old 09-24-2008, 01:26 PM   #4
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1. A Clockwork Orange
2. Straw Dogs
3. The French Connection
4. Dirty Harry
5. The Last Picture Show
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Old 09-24-2008, 01:36 PM   #5
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1. The Strange Vice of Mrs. Wardh (Sergio Martino)
2. The Act of Seeing With One's Own Eyes (Stan Brakhage)
3. Requiem for a Vampire (Jean Rollin)
4. Living (Frans Zwartjes)
5. Willy Wonka & the Chocolate Factory (Mel Stuart)
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Old 09-24-2008, 01:38 PM   #6
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1. Walkabout
2. Punishment Park
3. A Clockwork Orange
4. The Cat in the Hat
5. And Now For Something Completely Different
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Old 09-24-2008, 01:44 PM   #7
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1. McCabe & Mrs. Miller (Altman)
2. Wanda (Loden)
3. Punishment Park (Watkins)
4. W.R. - Mysteries of the Organism (Makavejev)
5. The Last Picture Show (Bogdanovich)

---------------------------------------

6. Walkabout (Roeg)
7. ...And Now for Something Completely Different (McNaughton)
8. The Cat o' Nine Tails (Argento)
9. Beware of a Holy Whore (Fassbinder)
10. The Devils (Russell)
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Old 09-24-2008, 01:44 PM   #8
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1. The French Connection
2. Fiddler on the Roof
3. Willy Wonka and the Chocolate Factory
4. Mon Oncle Antoine
5. Summer of '42
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Old 09-24-2008, 02:07 PM   #9
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1. A Clockwork Orange
2. And Now For Something Completely Different
3. Viva la muerte
4. The Devils
5. Fata Morgana
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Old 09-24-2008, 02:19 PM   #10
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Gonna try and catch up with this year big time over the next week.

1. Two-Lane Blacktop (Hellman)
2. McCabe and Mrs. Miller (Altman)
3. Wanda (Loden)
4. Deep End (Skolimowski)
5. Just Before Nightfall (Chabrol)

6. Punishment Park (Watkins)
7. Walkabout (Roeg)
8. The Last Picture Show (Bogdanovich)
9. Willy Wonka & The Chocolate Factory (Stuart)
10. Daughters of Darkness (Kumel)

Need to see (and will before this closes, hopefully): Klute, Two English Girls, Bleak Moments

Need to re-see: The Devils
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Old 09-24-2008, 03:24 PM   #11
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1. Walkabout
2. Punishment Park
3. McCabe & Mrs. Miller

Need to see a lot from this year still, but I'd prefer not giving Kubrick a vote for this year.
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Old 09-24-2008, 03:29 PM   #12
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1. The Last Picture Show
2. Harold and Maude
3. Two-Lane Blacktop
4. A Clockwork Orange
5. Dirty Harry

6. The French Connection
7. Murmur of the Heart
8. Johnny Got His Gun
9. Duel
10. Willy Wonka and The Chocolate Factory

Need to re-see: McCabe & Mrs. Miller and Straw Dogs

Excellent year!
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Old 09-24-2008, 03:45 PM   #13
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1. A Clockwork Orange
2. The Last Picture Show
3. Straw Dogs
4. The Abominable Dr. Phibes
5. Dirty Harry
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TOY STORY 3 - Solid entertainment of the Pixar brand, but an unnecessary sequel that adds nothing to the story.
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CHÉRI - Average period piece, but worth seeing for Michelle Pfeiffer's incredibly acting - and body.
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Old 09-24-2008, 03:52 PM   #14
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1. McCabe & Mrs. Miller (Robert Altman)
2. A New Leaf (Elaine May)
3. Beware of a Holy Whore (Rainer Werner Fassbinder)
4. Walkabout (Nicolas Roeg)
5. Nostalgia (Hollis Frampton)

Overrated: A Clockwork Orange (Stanley Kubrick)

A Flat-Out Stinker: Harold and Maude (Hal Ashby)
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Old 09-24-2008, 03:53 PM   #15
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Originally Posted by baby doll View Post
A Flat-Out Stinker: Harold and Maude (Hal Ashby)
Explain.
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Old 09-24-2008, 04:10 PM   #16
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Explain.
I found both characters utterly unconvincing. Harold isn't just morbid but he stages elaborate fake suicides to torment his mother, who I guess we're supposed to feel deserves it because she's rich and white and female. Maude isn't just a new agey flower granny, but her lust for life is strong enough to survive the horrors of the Holocaust. Also, it's not funny.
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Titicut Follies (Frederick Wiseman, 1967) / ***
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Old 09-24-2008, 04:25 PM   #17
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Originally Posted by baby doll View Post
I found both characters utterly unconvincing. Harold isn't just morbid but he stages elaborate fake suicides to torment his mother, who I guess we're supposed to feel deserves it because she's rich and white and female.
I feel this is an overly polemic reading. It is made clear in the film that his impetus is not torment, but rather mourning. He is searching for acceptance through loss. He wants people to miss him, because that's when he's felt the most love. And I think it's more that his mother is apathetic that we feel Harold is justified in that torment. The affluence comments on that icy distance, the race issue is nearly irrelevant because there's no other races to play off in the picture, and I don't think Ashby is traumatizing women specifically. Surely he lampoons the 70s feminine/feminist ideals to an extent, but he also tackles the military industrial complex and drug culture, to name a few other era-specific subjects.

Quote:
Maude isn't just a new agey flower granny, but her lust for life is strong enough to survive the horrors of the Holocaust. Also, it's not funny.
You don't think that perhaps her "lust for life" is a product of her survival?
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Old 09-24-2008, 04:55 PM   #18
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01. McCabe and Mrs. Miller
02. The French Connection
03. A Clockwork Orange
04. Duel
05. Play Misty for Me

HMs: And Now For Something Completely Different, Dirty Harry, Straw Dogs

Don't like: THX 1138, Bay of Blood, Macbeth

Haven't seen: Walkabout, Punishment Park, The Last Picture Show
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Old 09-24-2008, 05:30 PM   #19
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1. Love (Karoly Makk)
2. McCabe and Mrs Miller
3. Straw Dogs
4. Wanda
5. Fata Morgana
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Old 09-24-2008, 05:34 PM   #20
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1. McCabe and Mrs. Miller
2. Duel
3. A Clockwork Orange
4. Bananas
5. The French Connection
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Old 09-24-2008, 05:41 PM   #21
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Quote:
Originally Posted by iosos View Post
I feel this is an overly polemic reading. It is made clear in the film that his impetus is not torment, but rather mourning. He is searching for acceptance through loss. He wants people to miss him, because that's when he's felt the most love. And I think it's more that his mother is apathetic that we feel Harold is justified in that torment. The affluence comments on that icy distance, the race issue is nearly irrelevant because there's no other races to play off in the picture, and I don't think Ashby is traumatizing women specifically. Surely he lampoons the 70s feminine/feminist ideals to an extent, but he also tackles the military industrial complex and drug culture, to name a few other era-specific subjects.
Other than a big "boo hoo, Richie Rich just wants to be accepted," my immediate reaction is that there had to be a less heavy handed way to portray this character.

Quote:
You don't think that perhaps her "lust for life" is a product of her survival?
Structurally, that's how it functions as a late-in-the-game revelation that's supposed to explain everything about this character and can because she's so broadly defined. I found it offensive and reductive in equal measures.
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Old 09-24-2008, 05:59 PM   #22
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Quote:
Originally Posted by baby doll View Post
Other than a big "boo hoo, Richie Rich just wants to be accepted," my immediate reaction is that there had to be a less heavy handed way to portray this character.
I think you are blind to the character's (and the character's function's) nuances. I don't think he's heavy-handed at all. I've seen the film, oh, I don't know, maybe ten times, and each time I get a completely different reading of Harold. Surely his role works on a perfunctory level that you see it on, but there's much much more.

Quote:
Structurally, that's how it functions as a late-in-the-game revelation that's supposed to explain everything about this character and can because she's so broadly defined. I found it offensive and reductive in equal measures.
So are you saying that structurally, the movie suggests that the Holocaust transformed her or are you saying that her joie de vivre helped her through the Holocaust?

And I do not entirely disagree with your response: Maude kind of annoys me, particularly in her broad definition. In this way, I see your point about Harold insofar as he acts as a broad foil to her broadness. But again, here I think that you are falling into a classic baby doll trap, which is that you're letting your presumptions overpower a more nuanced engagement. Not saying you're wrong. Just saying that there's a noticeable jerking of knees here.
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Old 09-24-2008, 06:09 PM   #23
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1. McCabe & Mrs. Miller (Robert Altman)
2. Punishment Park (Peter Watkins)
3. A Clockwork Orange (Stanley Kubrick)
4. WR: Mysteries of the Organism (Dusan Makavejev)
5. Trafic (Jacques Tati)
*******************************
6. Willy Wonka and the Chocolate Factory (Mel Stuart)
7. Two-Lane Blacktop (Monte Hellman)
8. Land of Silence and Darkness (Werner Herzog)
9. Minnie and Moskowitz (John Cassavetes)
10. Walkabout (Nicholas Roeg)

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Old 09-24-2008, 06:17 PM   #24
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1. Fata Morgana
2. The Abominable Dr. Phibes
3. The Tragedy of Macbeth
4. A Clockwork Orange
5. New One-Armed Swordsman
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Old 09-24-2008, 07:05 PM   #25
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1. Walkabout (Nicolas Roeg)
2. The Devils (Ken Russell)
3. The French Connection (William Friedkin)
4. The Andromeda Strain (Robert Wise)
5. Harold and Maude (Hal Ashby)

6. Straw Dogs (Sam Peckinpah)
7. Little Murders (Alan Arkin)
8. King Lear (Grigori Kozintsev & Iosif Shapiro)
9. McCabe and Mrs. Miller (Robert Altman)
10. A Clockwork Orange (Stanley Kubrick)


Awesome year!
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Old 09-24-2008, 08:05 PM   #26
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Do excuse my lack of experience in this year:

1. A Clockwork Orange
2. Straw Dogs
3. McCabe And Mrs. Miller


Truth be told, I wasn't blown away by my #2 or #3.
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Old 09-24-2008, 10:56 PM   #27
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Great, great year (and I still haven't seen McCabe and Mrs. Miller, A Clockwork Orange, The Last Picture Show, and Walkabout)

1. Dirty Harry
2. The French Connection
3. Straw Dogs
4. Vanishing Point
5. Play Misty for Me

HM: The Abominable Dr. Phibes, Diamonds are Forever, Let's Scare Jessica to Death, Godzilla vs. Hedorah

I think that, if someone studied it, they might find that the level of violence in cinema increased by 10000% this year.
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Old 09-24-2008, 11:12 PM   #28
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1. McCabe and Mrs. Miller (Robert Altman)
2. The Last Picture Show (Peter Bogdanovich)
3. Punishment Park (Peter Watkins)
4. Walkabout (Nicolas Roeg)
5. Love (Károly Makk)
------------------------------------
6. Straw Dogs (Sam Peckinpah)
7. Bay of Blood (Mario Bava)
8. W.R.: Mysteries of the Organism (Dusan Makavegev)

I am hoping to watch Throw Away Your Books, Rally in the Streets before this is over. Then again I'm absolutely certain it won't matter outside of how many points my top 4 now will receive.

Also, I can't believe we only have about 6 or so of these left. Good job Match-Cut!
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Anzukko (Naruse 58) ***½
Los Angeles Plays Itself (Andersen 03) ****
Fires Were Started (Jennings 43) **½
On the Town (Donen/Kelly 49) ***
The Ghost Writer (Polanski 10) ***
Hotel Terminus: The Life and Times of Klaus Barbie (Ophüls 88) ***
Johnny Guitar (Ray 54) ***½
The Asphalt Jungle (Huston 50) ***½
Pandora and the Flying Dutchman (Lewin 51) **½
Babes in Arms (Berkeley 39) *½

Viewing log and all films seen
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Old 09-25-2008, 01:05 AM   #29
Weeping_Guitar
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1. Two English Girls
2. The Last Picture Show
3. THX 1138
4. A Clockwork Orange
5. Willy Wonka & the Chocolate Factory
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Recomended Recent Viewings:
The Circus (Chaplin, 1928)
Inception (Nolan, 2010)
Toy Story 3 (Unkrich, 2010)
After Hours (Scorsese, 1985)
Still Walking (Koreeda, 2008)
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Old 09-25-2008, 04:42 AM   #30
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Well this list is okay, I guess. Much more I have to see from this year, I do.

1. The Abominable Dr. Phibes
2. Dirty Harry
3. Big Jake
4. The French Connection
5. Support Your Local Gunfighter
6. The Omega Man
7. The Cat In The Hat
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Good Lord, son, no, I do not. I was, in days gone by, a believer. But alas, I came to this beleaguered land, and the God in me just . . . evaporated. Let us change our toast, sir. To the God who has forgotten us.

Down the Rabbit Hole
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