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#61 |
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the one, the only. . .
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Convolution can be a genuine problem with a story of any kind. Why should a reviewer not point that out?
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FILMS A Long Days Journey Into Night - 4 Mrs. Palfrey at the Claremont - 7 The Thin Blue Line - 10 Rachel Getting Married - 8 Z - 9 Synecdoche, NY - 8 Now Reading The Diamond Age (Stephenson) |
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#62 | |
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The Pan
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Quote:
He's a freaking critic and this isn't like late period Godard here.
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Inception - A- Deewaar - D+ Meet me in St. Louis - C+ Dinner for Schmucks - C+ Gimme Shelter - B |
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#63 |
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Aye aye, Seaguy!
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Hmmm... I don't recall any difficulty with Out of the Past...
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"Mea culpa! Curse upon me for finding it directly from (1/2) \int dm (v)^2." - lovejuice "Da fug!" - Chubby da Choona |
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#64 |
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King of the Impossible
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#65 |
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the one, the only. . .
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When you say it like that, it kind of puts the whole thing in perspective.
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FILMS A Long Days Journey Into Night - 4 Mrs. Palfrey at the Claremont - 7 The Thin Blue Line - 10 Rachel Getting Married - 8 Z - 9 Synecdoche, NY - 8 Now Reading The Diamond Age (Stephenson) |
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#66 |
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The Pan
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Your right critics should spend all their time going on about what they did not understand in any given film. Yes, it shall be known as New I Don't Understand What I'm Watching Wave Criticism.
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Inception - A- Deewaar - D+ Meet me in St. Louis - C+ Dinner for Schmucks - C+ Gimme Shelter - B Last edited by Qrazy : 05-25-2008 at 03:52 AM. |
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#67 |
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nightmare investigator
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Out of the Past holds a special place in my heart, as an ex-girlfriend of mine has a face that kind of reminds me of Jane Greer.
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"Modern weapons can defend freedom, civilization, and life only by annihilating them. Security in military language means the ability to do away with the Earth." -Ivan Illich, Deschooling Society |
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#68 |
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Social Retard
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My review of Out of the Past would be entirely about what I don't remember about it.
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Animal Kingdom (2010) ***½ Traces of Stones (1966) **** The Docks of New York (1928) ***½ Requiem for a Dream (1978, Hubert Selby, Jr.) ***½ A Farewell to Arms (1929, Ernest Hemingway) *** |
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#69 |
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A Platypus
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I actually respect it when reviewers talk in the first person. He's not saying the film was impossible to follow properly, for example, he's just saying he was lost by it. And that's completely honest and valuable.
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There is no cause so right that one cannot find a fool following it. -- Niven Law #16 YOU DON'T KNOW JACK - Acceptable good, but I would've preferred a documentary. CHLOE - A little disappointing for my first Egoyan, but a quality sex thriller all the same. PREDATORS - A by the numbers sequel that's lost in homages to the original. And terrible CGI. |
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#70 |
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Body Double
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I think you hit on an historical aspect in terms of reviews. Bosley Crowther often wrote his reviews in the first person and was willing to admit that he did not get all the double- triple crosses. But, at that time, not many others saw the films and even fewer had any ability to share their views. I think its hard to write something like that today when others are also reviewing at the same time.
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#71 |
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Social Retard
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I don't find an objective analysis of a film's qualities to be as interesting as a personal reaction.
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Animal Kingdom (2010) ***½ Traces of Stones (1966) **** The Docks of New York (1928) ***½ Requiem for a Dream (1978, Hubert Selby, Jr.) ***½ A Farewell to Arms (1929, Ernest Hemingway) *** |
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#72 | |
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3 dimensions of heaven
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Quote:
*sits on fence*
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Machete (Rodriguez, 2010) *½ Scott Pilgrim vs. the World (Wright, 2010) *** Swing Time (Stevens, 1936) **½ Play Dirty (DeToth, 1968) ***½ Toy Story 3 (Unkrich, 2010) ** The Natural (Levinson, 1984) *½ Black Girl (Sembene, 1966) **½ Dinner for Schmucks (Roach, 2010) * Bamako (Sissako, 2006) **½ Crashing (Walkow, 2007) ** My site Music "It is a communist chocolate hellhole and I'm here to stop it ever happening." |
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#73 |
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The Pan
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It's honest but I fail to see how it's valuable to spend an entire review talking about that when you could talk about the elements you did understand and thought worked and didn't work.
__________________
Inception - A- Deewaar - D+ Meet me in St. Louis - C+ Dinner for Schmucks - C+ Gimme Shelter - B |
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#74 |
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the one, the only. . .
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I was being sincere.
__________________
FILMS A Long Days Journey Into Night - 4 Mrs. Palfrey at the Claremont - 7 The Thin Blue Line - 10 Rachel Getting Married - 8 Z - 9 Synecdoche, NY - 8 Now Reading The Diamond Age (Stephenson) |
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#75 |
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The Pan
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__________________
Inception - A- Deewaar - D+ Meet me in St. Louis - C+ Dinner for Schmucks - C+ Gimme Shelter - B |
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